Results for 'Arthur C. Fleshman'

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  1.  5
    The Metaphysics of Education.Arthur C. Fleshman - 1916 - Philosophical Review 25:85.
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  2. Arthur C Danto 1u.Arthur C. Danto - 2007 - In Diarmuid Costello & Jonathan Vickery (eds.), Art: key contemporary thinkers. New York: Berg. pp. 113.
     
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  3.  11
    The Philosophy of Arthur C. Danto.Arthur C. Danto, Ewa D. Bogusz-Boltuc, David Reed, Sean Scully, Thomas Rose & Gerard Vilar - 2013 - Library of Living Philosophers.
    Arthur Danto is the Johnsonian Professor Emeritus of Philosophy at Columbia University and the most influential philosopher of art in the last half century. As an art critic for The Nation for 25 years and frequent contributor to other widely read outlets such as the New York Review of Books, Danto also has become one of the most respected public intellectuals of his generation. He is the author of some two dozen important books, along with hundreds of articles and (...)
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  4.  38
    Arthur C. Danto, Beyond The Brillo Box: The Visual Arts in A Post-Historical Perspective, Mark Tansey: Visions and Revisions.David Carrier & Arthur C. Danto - 1993 - Journal of Aesthetics and Art Criticism 51 (3):513.
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  5.  28
    Comment on Gewirth Constructing an Epistemology of Human Rights: a Pseudo Problem?: ARTHUR C. DANTO.Arthur C. Danto - 1984 - Social Philosophy and Policy 1 (2):25-30.
    Those rights are human rights which, in Professor Gewirth's phrase, “all persons equally have simply insofar as they are human.” His task is to demonstrate that there are human rights, and to demonstrate that such demonstration is necessary to the very existence of these rights. “That human rights exist…is a proposition whose truth depends upon the possibility, in principle, of constructing a body of moral justificatory argument from which that proposition follows as a logical consequence.” As philosophers we should no (...)
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  6.  28
    The Philosophising Machine – a Specification of the Turing Test.Arthur C. Schwaninger - 2022 - Philosophia 50 (3):1437-1453.
    Block’s, 5–43 1981) anti-behaviourist attack of the Turing Test not only illustrates that the test is a non-sufficient criterion for attributing thought; I suggest that it also exemplifies the limiting case of the more general concern that a machine which has access to enormous amounts of data can pass the Turing Test by simple symbol-manipulation techniques. If the answers to a human interrogator are entailed by the machines’ data, the Turing Test offers no clear criterion to distinguish between a thinking (...)
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  7.  23
    Constructing inferences during narrative text comprehension.Arthur C. Graesser, Murray Singer & Tom Trabasso - 1994 - Psychological Review 101 (3):371-395.
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  8. The transfiguration of the commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.
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  9.  37
    What Art Is.Arthur C. Danto - 2013 - New Haven: Yale University Press.
    What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the (...)
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  10.  48
    Analytical Philosophy of History.Arthur C. Danto - 1965 - Cambridge: Cambridge University Press.
  11. Narration and Knowledge.Arthur C. Danto - 1982 - Philosophy and Literature 6 (1-2):17-32.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and (...)
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  12. Nietzsche as Philosopher.Arthur C. Danto - 1965 - Science and Society 32 (1):89-91.
     
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  13.  33
    The Abuse of Beauty: Aesthetics and the Concept of Art.Arthur C. Danto - 2003 - Open Court Publishing.
    In The Abuse of Beauty, art critic and philosopher Arthur Danto explains how the notion of beauty as anathema to art arose and flourished and offers a new way of looking at art and beauty. He draws on the thought of artists, critics, and philosophers such as Rimbaud, Fry, Matisse, and Greenberg, to reposition beauty as one of many modes -- along with sexuality, sublimity, disgust, and horror -- through which the human sensibility expresses itself. 20 black-and-white illustrations are (...)
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  14. Basic Actions.Arthur C. Danto - 1965 - American Philosophical Quarterly 2 (2):141 - 148.
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  15. Analytical Philosophy of Action.Arthur C. Danto - 1973 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 7 (1):187-191.
     
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  16. After the End of Art: Contemporary Art and the Pale of History.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (2):214-215.
     
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  17. What we can do.Arthur C. Danto - 1963 - Journal of Philosophy 60 (15):435-445.
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  18. Analytical Philosophy of History.Arthur C. Danto - 1966 - British Journal for the Philosophy of Science 17 (4):328-331.
     
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  19.  3
    What Art Is.Arthur C. Danto - 2013 - New Haven: Yale University Press.
    _A lively meditation on the nature of art by one of America's most celebrated art critics_ What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined (...)
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  20. Analytical Philosophy of History.Arthur C. Danto - 1965 - Philosophy 45 (172):163-164.
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  21.  8
    Art and Posthistory: Conversations on the End of Aesthetics.Arthur C. Danto & Demetrio Paparoni - 2022 - Columbia University Press.
    From the 1990s until just before his death, the legendary art critic and philosopher Arthur C. Danto carried out extended conversations about contemporary art with the prominent Italian critic Demetrio Paparoni. Their discussions ranged widely over a vast range of topics, from American pop art and minimalism to abstraction and appropriationism. Yet they continually returned to the concepts at the core of Danto’s thinking—posthistory and the end of aesthetics—provocative notions that to this day shape questions about the meaning and (...)
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  22.  22
    Have species become declasse?Arthur C. Caplan - 1980 - Psa 1980:71-82.
    Traditionally, species have been treated as classes or kinds in philosophical discussions of systematics and evolutionary biology. Recently a number of biologists and philosophers have proposed a drastic revision of this traditional ontological categorization. They have argued that species ought be viewed as individuals rather than as classes or natural kinds. In this paper an attempt is made to show that (a) the reasons advanced in support of this new view of species are not persuasive, (b) a reasonable explication can (...)
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  23.  26
    What Simulations Teach Us About Ordinary Objects.Arthur C. Https://Orcidorg Schwaninger - 2019 - Open Philosophy 2 (1):614-628.
    Under the label of scientific metaphysics, many naturalist metaphysicians are moving away from a priori conceptual analysis and instead seek scientific explanations that will help bring forward a unified understanding of the world. This paper first reviews how our classical assumptions about ordinary objects fail to be true in light of quantum mechanics. The paper then explores how our experiences of ordinary objects arise by reflecting on how our neural system operates algorithmically. Contemporary models and simulations in computational neuroscience are (...)
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  24.  72
    Analytical Philosophy of Action.Arthur C. Danto - 1973 - Cambridge, [Eng.]: Cambridge University Press.
    A study of the philosophical problems associated with the concept of action. Professor Danto is concerned to isolate logically the notion of a 'basic action' and to examine the way in which context and intention, for example, can convert physiological movements into significant actions. He finds many suggestive parallels between the concepts - the logical architecture - of action and cognition and in developing this theme he becomes involved in and proposes new approaches to various long-standing problems connected with causality, (...)
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  25.  53
    Phenomenology of Religion and the Art of Story-Telling: The Relevance of William Golding'S ‘The Inheritors’ To Religious Studies*: C. J. ARTHUR.C. J. Arthur - 1987 - Religious Studies 23 (1):59-79.
    One of the most extensive yet least conclusive methodological debates within religious studies revolves around the question of what, precisely, the phenomenology of religion is and what contribution it can make to the study of religion. I do not intend to answer this important question here. To do so satisfactorily would require a range of historical, philosophical and methodological inquiry which would go quite beyond the bounds of a single article. My intention in this paper is, by comparison, unambitious. It (...)
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  26. Seeing and showing.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (1):1-9.
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  27.  64
    Science as an international system.Arthur C. Danto - 1983 - Behavioral and Brain Sciences 6 (3):359-360.
  28.  20
    Nietzsche as Philosopher.Arthur C. Danto - 1965 - New York: Cambridge University Press.
    Few philosophers are as widely read or as widely misunderstood as Friedrich Nietzsche. When Danto's classic study was first published in 1965, many regarded Nietzsche as a brilliant but somewhat erratic thinker. Danto, however, presented a radically different picture, arguing that Nietzsche offered a systematic and coherent philosophy that anticipated many of the questions that define contemporary philosophy. Danto's clear and insightful commentaries helped canonize Nietzsche as a philosopher and continue to illuminate subtleties in Nietzsche's work as well as his (...)
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  29.  6
    Evolution, original sin, and race.Arthur C. Petersen - 2021 - Zygon 56 (2):305-307.
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  30.  9
    Open access, the humanities, and contemplation through science.Arthur C. Petersen - 2021 - Zygon 56 (3):541-546.
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  31.  30
    Consciousness and motor control.Arthur C. Danto - 1985 - Behavioral and Brain Sciences 8 (4):540-541.
  32.  71
    Some Remarks on The Genealogy of Morals.Arthur C. Danto - 1986 - International Studies in Philosophy 18 (2):3-15.
  33.  99
    Narration and Knowledge.Arthur C. Danto, Lydia Goehr & Frank Ankersmit - 2007 - Cambridge University Press.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and (...)
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  34. On consciousness in machines.Arthur C. Danto - 1960 - In Sidney Hook (ed.), Dimensions Of Mind: A Symposium. NY: NEW YORK University Press.
     
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  35.  7
    Honoring Alister M c grath.Arthur C. Petersen - 2022 - Zygon 57 (1):3-4.
    Zygon®, Volume 57, Issue 1, Page 3-4, March 2022.
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  36.  97
    Character and free will.Arthur C. Danto & Sidney Morgenbesser - 1957 - Journal of Philosophy 54 (16):493-505.
  37. Embodied meanings, isotypes, and aesthetical ideas.Arthur C. Danto - 2007 - Journal of Aesthetics and Art Criticism 65 (1):121–129.
  38. Naturalism.Arthur C. Danto - 1967 - In Paul Edwards (ed.), The Encyclopedia of philosophy. New York,: Macmillan. pp. 5--448.
     
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  39.  92
    Symposium: Arthur Danto, the abuse of beauty.Arthur C. Danto - 2005 - Inquiry: An Interdisciplinary Journal of Philosophy 48 (2):189 – 200.
  40.  36
    In memoriam: James J. Walsh.Arthur C. Danto, Bernard Berofsky, Isaac Levi & Charles D. Parsons - 2003 - Journal of Philosophy 100 (5):272 -.
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  41. Analytical Philosophy of History.Arthur C. Danto - 1965 - Foundations of Language 4 (2):188-191.
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  42.  31
    Existential Urgency: A Provocation to Thinking “Different”.Arthur C. Wolf & Barbara Weber - 2023 - Childhood and Philosophy 19:01-25.
    In this essay we expand the notion of thinking by emphasizing the provocation and urgency to think and by reconceptualizing thinking as an embodied practice. The aim is to expand Lipman and Sharp’s approach to philosophical inquiry with children and show how other ways of thinking can be included. We strive to unfold a way of “thinking” that is both different from rationality (critical thinking) as well as from creative and caring thinking. In the first part of the paper, we (...)
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  43.  19
    The Philosophical Disenfranchisement of Art.Arthur C. Danto & Jonathan Gilmore - 1986 - New York: Cambridge University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's (...)
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  44.  88
    Depiction and description.Arthur C. Danto - 1982 - Philosophy and Phenomenological Research 43 (1):1-19.
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  45.  61
    Ii. causation and basic actions.Arthur C. Danto - 1970 - Inquiry: An Interdisciplinary Journal of Philosophy 13 (1-4):108 – 125.
  46. The Madonna of the Future: Essays in a Pluralistic Art World.Arthur C. Danto - 2003 - Journal of Aesthetics and Art Criticism 61 (2):198-201.
     
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  47. The end of art: A philosophical defense.Arthur C. Danto - 1998 - History and Theory 37 (4):127–143.
    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question "But is it art?"; the difference between the end of art and "the death of painting"; historical imagination and the future; the method of using indiscernible counterparts, like Warhol's Brillo Box and the Brillo cartons it resembles; (...)
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  48.  1
    The Shape of Artistic Pasts, East and West.Arthur C. Danto - 1991 - In Eliot Deutsch (ed.), Culture and Modernity: East-West Philosophic Perspectives. University of Hawaii Press. pp. 331-342.
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  49.  9
    Human Identity and Spiritual Intelligence.Arthur C. Petersen - 2022 - Zygon 57 (3):523-524.
    Zygon®, Volume 57, Issue 3, Page 523-524, September 2022.
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  50.  18
    Islam and evolution.Arthur C. Petersen - 2022 - Zygon 57 (2):297-298.
    Zygon®, Volume 57, Issue 2, Page 297-298, June 2022.
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